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LGBT cinema in Latin America
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LGBT cinema in Latin America : ウィキペディア英語版
LGBT cinema in Latin America

==Latin American queer cinema==
Queer individuals' contradiction of the heterosexual norm significantly impacts the machismo ideals within the Latin American culture, where men are expected to be strong and dominant. This strongly male-dominated culture is cinematographically afraid of a male that contradicts the traditional ideal, leading to a lack of exposure for the transgender male within Latin American queer cinema.〔Subero, Gustavo. "Fear of the Trannies: On Filmic Phobia of Transvestism in the New Latin
American Cinema." Latin American Research Review 43.2 (2008): 159-79. JSTOR. Web.
31 May 2013. .〕 While many have attempted to bring the Latino transgender man into queer cinema, such as in Arturo Ripstein’s ''El Lugar sin limites'' (1978), the man is seldom portrayed in a positive light.
In queer Latin American cinema, the body is often seen as a tool above all else. The body is a tool that is used in order to attain satisfaction above all other things.〔Schulz, Cruz Bernard. Imágenes Gay En El Cine Mexicano: Tres Décadas De Joterío,
1970-1999. Coyoacán, Mexico: Fontamara, 2008.〕 There is also a normative ideal in Latin American cinema that it is acceptable for women to sleep in the same bed together, situation such as those do not automatically place a movie within the realm of queer cinema. It is not a social norm, however, for two men to share a bed. Two men sharing a bed within Latin American cinema, even if those men are young, is often used as an indication of queer acts that are not explicitly shown.〔

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